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Book Summary: Marginal Bodies and Precarious Lives in North Africa sheds light on marginal bodies and the (post)colonial State, revealing the deep interconnectedness of the past with the recent situation of North Africa. Insecurity is not the consequence of a society perceived as uncivilized, but rather the result of an indecent society.
Book Summary: This publication reflects on the discussion on using chaos theory for the study of society. It explores the interface between chaos theory and the social sciences. A broad variety of fields (including Sociology, Anthropology, Economics, Political Science, Management, Philosophy and Cognitive Sciences) is represented in the book. The leading themes are: Conceptual and Methodological Issues, Social Connectionism and the Connectionist Mind, Social Institutions and Public Policy, and Social Simulations. The book includes the following topics: the relevance of the complexity-chaos paradigm for analyzing social systems, the usefulness of nonlinear dynamics for studying the formation and sustainability of social groups, the comparison between spontaneous social orders and spontaneous biological/natural orders, the building of Artificial Societies, and the contribution of the chaos paradigm to a better understanding and formulation of public policies.
Book Summary: For decades, neuroscientists, psychologists, and an army of brain researchers have been struggling, in vain, to explain the phenomenon of consciousness. Now there is a clear trail to the answer, and it leads through the dense jungle of quantum physics, Zen, and subjective experience, and arrives at an unexpected destination.In this tour-de-force of scientific investigation, Evan Harris Walker, a pioneer in the science of consciousness, describes the outcome of his fifty-year search for the true nature of reality. Drawing on a deep knowledge of quantum physics and Zen philosophy, Walker shows how the operation of bizarre yet actual properties of elementary particles support a new and exciting theory of reality, based on the principles of quantum physics; a theory that answers questions such as “What is the nature of consciousness, of will?” “What is the source of material reality?” and “What is God?”Clearly written in non-technical, lyrical prose, The Physics of Consciousness is more than just the explanation of a science—it is a new vision of life.
Book Summary: Présentation commentée par l'artiste d'une partie des oeuvres et performances réalisées in situ entre 1999 et 2013 à la Demeure du chaos, grande demeure bourgeoise des collines lyonnaises transformée en "lieu de résonance de l'actualité où les images médiatisées et fulgurantes viennent trouver, en une curieuse alchimie, un sens peu commun" (H. Béthemont)
Book Summary: You’re stuck in the airport security line, late for a flight. The line isn’t moving. You’re angry at the security personnel for taking so long, you’re irritated at the other passengers for having so much stuff, you’re mad at your boss for sending you on this trip in the first place. By the time you get to your gate you’re angry, deflated, and exhausted. Then someone cuts in front of you in the line to board and you snap. “There’s a line, you know!” Is that really you, standing in an airport, yelling at a stranger, emotions raging? It happens to most of us more than we’d like to admit. In an instant, our lives seem out of control and overwhelming. It’s always something, isn’t it? But what if you could approach every part of your life—from the smallest decisions to life’s biggest setbacks—with total confidence, clarity, and control? According to Sakyong Mipham, we all have that power. The secret is simple: If you just stop thinking about yourself all the time, happiness and confidence will come naturally. It sounds absurd and, what’s more, impossible. But in Ruling Your World, Sakyong Mipham shares ancient secrets on how to take control of our lives and be successful while cultivating compassion for others and confidence in our own intelligence and goodness. The key to this well-being lies in the ancient strategies of the warrior kings and queens of Shambhala. The kingdom of Shambhala was an enlightened kingdom of benevolent kings and queens and fiercely trained warriors. No one knows for sure whether this kingdom was real or mythical, but there are ancient guidebooks to this land and practical instructions for creating a Shambhala in your own world, bringing peace, purpose, and perspective into your life and environment. Sakyong Mipham, the descendant of a warrior king, has inherited these teachings and gives us the lessons and myths of the great rulers and warriors of Shambhala. He makes these teachings relevant to our twenty-first-century lives in a fresh and witty voice and helps us all to realize our potential for power and control in a seemingly uncontrollable world. For the first time ever, revered spiritual leader Sakyong Mipham brings the lessons of the ancient Shambhala warriors and rulers to the Western world and shows us how to live our lives with confidence. Most of us are living in a haze—sometimes helping others, sometimes helping ourselves, sometimes happy, sometimes sad. We don’t feel in control of our own lives. The ancient teachings of Shambhala rulership show us that we all have the ability to rule our own world and live with confidence. To do this, we need to use our daily lives to be strong, as opposed to aggressive, and to act with wisdom and compassion. This may sound difficult, but when we begin to mix this ancient wisdom of rulership into our everyday life, we have both spiritual and worldly success. We don’t need to abandon our life and become an ascetic or a monk in order to gain confidence and achieve this success. We can live in the world as a ruler no matter what we are doing. —from Ruling Your World
Book Summary: This book provides a comprehensive picture of Venice’s shipping industry from the days of glory to its definitive decline, challenging the accepted hierarchy of the political, economic, and environmental factors impacting the history of the maritime republic.
Book Summary: This collection of field-based case-studies examines the role and contributions of Africa’s informal public transport (also referred to as paratransit) to the production of city forms and urban economies, as well as the voices, experiences, and survival tactics of its poor and stigmatised workforce. With attention to the question of what a micro-level analysis of the organisation and politics of informal public transport in urbanizing Africa might tell us about the precarious existence and agency of its informal workforce, it explores the political and socio-economic conditions of contemporary African cities, spanning from Nairobi and Dar es Salaam to Harare, Cape Town, Kinshasa and Lagos. Mapping, analysing and comparing the everyday experiences of informal transport operators across the continent, this book sheds light on the multiple challenges facing Africa’s informal transport workers today, as they negotiate the contours of city life, expand their horizons of possibility and make the most of their time. It thus offers directions for more effective policy response to urban public transport, which is changing fundamentally and rapidly in light of neoliberal urban planning strategies and ‘World Class’ city ambitions.
Book Summary: The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
